All Jean Simeon Chardin Oil Paintings

(2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc. According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter
 

       VORHERIGE  1  2  3  4  5  6   NÄCHSTE
  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     

 

Jean Simeon Chardin The Silver Beaker oil painting


The Silver Beaker
Gemälde IDENTIFIZIERUNG::  90658
The Silver Beaker
c. 1750 Medium oil on canvas cjr
c. 1750 Medium oil on canvas cjr
   
   
     

Jean Simeon Chardin Die Attribute der Kunste und die Belohnungen, die ihnen gewahrt werden oil painting


Die Attribute der Kunste und die Belohnungen, die ihnen gewahrt werden
Gemälde IDENTIFIZIERUNG::  90737
Die Attribute der Kunste und die Belohnungen, die ihnen gewahrt werden
1766(1766) Medium oil on canvas Dimensions Deutsch: 112 x 140 cm cjr
1766(1766) Medium oil on canvas Dimensions Deutsch: 112 x 140 cm cjr
   
   
     

Jean Simeon Chardin Lady Sealing a Letter oil painting


Lady Sealing a Letter
Gemälde IDENTIFIZIERUNG::  91131
Lady Sealing a Letter
1732(1732) Medium oil on canvas cyf
1732(1732) Medium oil on canvas cyf
   
   
     

Jean Simeon Chardin Der Rochen oil painting


Der Rochen
Gemälde IDENTIFIZIERUNG::  91145
Der Rochen
1728(1728) Medium oil on canvas Dimensions 114 x 146 cm (44.9 x 57.5 in) cyf
1728(1728) Medium oil on canvas Dimensions 114 x 146 cm (44.9 x 57.5 in) cyf
   
   
     

Jean Simeon Chardin Die Morgentoilette oil painting


Die Morgentoilette
Gemälde IDENTIFIZIERUNG::  91960
Die Morgentoilette
1740(1740) Medium oil on canvas Dimensions 49 X 39 cm cyf
1740(1740) Medium oil on canvas Dimensions 49 X 39 cm cyf
   
   
     

       VORHERIGE  1  2  3  4  6   NÄCHSTE
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     

     Jean Simeon Chardin
     (2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc. According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter

KONTAKTIEREN Sie UNS
Xiamen Hat China Großhandelsöl, das Bahrenstab Großhandelsrahmen Anstreicht, den Spiegel Formt, Ausgestreckte Gemälde Eingerahmt